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  <url>
    <loc>https://www.theolipfert.com/beneath-the-surface</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442768332765-BX6QDH50ENDF2M53LMW8/image-asset.jpeg</image:loc>
      <image:title>Beneath the Surface - Beneath the Surface</image:title>
      <image:caption>2010 / 6:00 / color / Live Audio with Video / USA Video and Sound by Theo Lipfert Beneath the Surface is a video piece with four-channel sound that is performed live. The footage was shot with my (favorite) Flip Camera and underwater housing in Captiva, Florida. My kids and I tied some fishing line to the housing then threw it way out into the surf. The footage was recorded as my camera washed ashore. Not only the images, but also the sound of the water smacking into the plastic housing and dripping over the case were interesting to me. I also recorded my son’s friend Michaela as she narrated what happened in some of her dreams. This audio was also cut up into sentence fragments (45 of them) that are combined randomly to (sometimes) make sense. I used the Kyma sound computer to create the structure for the piece. A script loads audio clips from a folder and plays them in random order. While the video played, I can control the volume, amount of reverb, and spatial position of the sound in the room, all in real time. The audio of spoken words and the water sounds (plus me and my kids screaming as we got pummeled by waves!) is different every time it is played thanks to the “random” script. Here is one version (in two channels, not four) that gives an idea of what it looks and sounds like. Oct 2010 2nd Annual Kyma International Sound Symposium, Vienna Jan 2011 SEAMUS, Miami</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442768332765-BX6QDH50ENDF2M53LMW8/image-asset.jpeg</image:loc>
      <image:title>Beneath the Surface - Beneath the Surface</image:title>
      <image:caption>2010 / 6:00 / color / Live Audio with Video / USA Video and Sound by Theo Lipfert Beneath the Surface is a video piece with four-channel sound that is performed live. The footage was shot with my (favorite) Flip Camera and underwater housing in Captiva, Florida. My kids and I tied some fishing line to the housing then threw it way out into the surf. The footage was recorded as my camera washed ashore. Not only the images, but also the sound of the water smacking into the plastic housing and dripping over the case were interesting to me. I also recorded my son’s friend Michaela as she narrated what happened in some of her dreams. This audio was also cut up into sentence fragments (45 of them) that are combined randomly to (sometimes) make sense. I used the Kyma sound computer to create the structure for the piece. A script loads audio clips from a folder and plays them in random order. While the video played, I can control the volume, amount of reverb, and spatial position of the sound in the room, all in real time. The audio of spoken words and the water sounds (plus me and my kids screaming as we got pummeled by waves!) is different every time it is played thanks to the “random” script. Here is one version (in two channels, not four) that gives an idea of what it looks and sounds like. Oct 2010 2nd Annual Kyma International Sound Symposium, Vienna Jan 2011 SEAMUS, Miami</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/after-effects</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442767077732-TACXSQVXJJY8MCQXHR2W/image-asset.jpeg</image:loc>
      <image:title>After Effects - Morphing Face</image:title>
      <image:caption>Morph using Re:Vision Re:Flex.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442767077732-TACXSQVXJJY8MCQXHR2W/image-asset.jpeg</image:loc>
      <image:title>After Effects - Morphing Face</image:title>
      <image:caption>Morph using Re:Vision Re:Flex.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442771904051-L03FJF9W3VVDP018J9W7/image-asset.jpeg</image:loc>
      <image:title>After Effects - Keyframe Hell</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/french-onion-soup</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442709450179-UFJCAGOEMA0WV1SMIX2K/image-asset.jpeg</image:loc>
      <image:title>French Onion Soup - Unboxing French Onion Soup</image:title>
      <image:caption>... where I answer some of the carton haters.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442709450179-UFJCAGOEMA0WV1SMIX2K/image-asset.jpeg</image:loc>
      <image:title>French Onion Soup - Unboxing French Onion Soup</image:title>
      <image:caption>... where I answer some of the carton haters.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/tutorials</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
  </url>
  <url>
    <loc>https://www.theolipfert.com/corny-free</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442759999217-SS1XVE1RYOYN53P5SG9M/image-asset.jpeg</image:loc>
      <image:title>Corny Free - Unboxing Corny Free - From Vienna!</image:title>
      <image:caption>Unboxing in Europe!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442759999217-SS1XVE1RYOYN53P5SG9M/image-asset.jpeg</image:loc>
      <image:title>Corny Free - Unboxing Corny Free - From Vienna!</image:title>
      <image:caption>Unboxing in Europe!</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/pad-thai</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442712102283-4X4CNGN5FM2BLCVIM9FD/image-asset.jpeg</image:loc>
      <image:title>Pad Thai - Unboxing Pad Thai</image:title>
      <image:caption>In this video, I unbox some Ethnic Gourmet Pad Thai. Delicious!</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442712102283-4X4CNGN5FM2BLCVIM9FD/image-asset.jpeg</image:loc>
      <image:title>Pad Thai - Unboxing Pad Thai</image:title>
      <image:caption>In this video, I unbox some Ethnic Gourmet Pad Thai. Delicious!</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/moon-in-the-bucket</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442771690677-NJ5IZ8X8CB54UWSV2W4P/image-asset.jpeg</image:loc>
      <image:title>Moon in the Bucket - Moon in the Bucket</image:title>
      <image:caption>2006 / 10:00 / color / Super16 / USA A woman, imprisoned by the present, escapes her confinement through movement and dance, only to be confronted by her past. Based on an experimental opera by Garrett Fisher, Moon in the Bucket uses music and motion to narrate a story of memory, confinement, and liberation. Shot on location in Montana, the film also uses archival Japanese footage as ‘flashbacks’ and glimpses into the history of our prisoner. Moon in the Bucket features choreography by A.C. Petersen and a solo performance by dancer Yoko Murao. The original score was written by the Seattle-based composer Garrett Fisher, and performed by the Fisher Ensemble. Nov. 2006 Dance Flicks, North Carlton, Australia Oct. 2006 Universidad Michoacana, Morelia, Mexico Oct. 2006 Portland International Short Short Film Fest, OR Sept. 2006 Boulder Asian Film Festival, CO Sept. 2006 One Reel Film Festival, Seattle, WA July 2006 Da Vinci Film &amp; Video Festival, Corvallis, OR (2nd place: Best Use of Music) June 2006 Sans Souci Festival of Dance Cinema, Boulder MOCA, CO June 2006 Fear No Film festival, Salt Lake City, UT June 2006 Winnipeg International Film Festival</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442771690677-NJ5IZ8X8CB54UWSV2W4P/image-asset.jpeg</image:loc>
      <image:title>Moon in the Bucket - Moon in the Bucket</image:title>
      <image:caption>2006 / 10:00 / color / Super16 / USA A woman, imprisoned by the present, escapes her confinement through movement and dance, only to be confronted by her past. Based on an experimental opera by Garrett Fisher, Moon in the Bucket uses music and motion to narrate a story of memory, confinement, and liberation. Shot on location in Montana, the film also uses archival Japanese footage as ‘flashbacks’ and glimpses into the history of our prisoner. Moon in the Bucket features choreography by A.C. Petersen and a solo performance by dancer Yoko Murao. The original score was written by the Seattle-based composer Garrett Fisher, and performed by the Fisher Ensemble. Nov. 2006 Dance Flicks, North Carlton, Australia Oct. 2006 Universidad Michoacana, Morelia, Mexico Oct. 2006 Portland International Short Short Film Fest, OR Sept. 2006 Boulder Asian Film Festival, CO Sept. 2006 One Reel Film Festival, Seattle, WA July 2006 Da Vinci Film &amp; Video Festival, Corvallis, OR (2nd place: Best Use of Music) June 2006 Sans Souci Festival of Dance Cinema, Boulder MOCA, CO June 2006 Fear No Film festival, Salt Lake City, UT June 2006 Winnipeg International Film Festival</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/galileo-one-night-only</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442761509663-NNRCBG2ZMSI4IZX55QXC/image-asset.jpeg</image:loc>
      <image:title>Galileo: One Night  Only - Galileo, One Night Only!</image:title>
      <image:caption>2011 / 11min / color / live video, audio / USA Dir: Theo Lipfert Starring: Kent Davis “Galileo, One Night Only” is a visual and aural montage constructed from the (fictional) experiences of Montana actor Kent Davis, appearing as himself, as he prepares a performance exploring the life of Galileo Galilei, the father of modern science. Davis works a “day job” as a professional medical guinea pig. He enrolls as a human subject to test medical devices, pharmaceuticals, and therapies. During the preparation for his role as Galileo, Davis tests a wearable camera designed to help Alzheimer’s patients remember the events and interactions of their daily lives. To gauge the device’s efficacy, Davis has been administered a drug that induces a temporary memory loss. As he travels through different physical environments, Davis reflects on the sacrifices and compromises he has made to pursue his art, and unwittingly creates a contemporary analog to the experiences of the Sixteenth-century astronomer. Sept 2011Kyma International Sound Symposium, Porto Portugal</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442761509663-NNRCBG2ZMSI4IZX55QXC/image-asset.jpeg</image:loc>
      <image:title>Galileo: One Night  Only - Galileo, One Night Only!</image:title>
      <image:caption>2011 / 11min / color / live video, audio / USA Dir: Theo Lipfert Starring: Kent Davis “Galileo, One Night Only” is a visual and aural montage constructed from the (fictional) experiences of Montana actor Kent Davis, appearing as himself, as he prepares a performance exploring the life of Galileo Galilei, the father of modern science. Davis works a “day job” as a professional medical guinea pig. He enrolls as a human subject to test medical devices, pharmaceuticals, and therapies. During the preparation for his role as Galileo, Davis tests a wearable camera designed to help Alzheimer’s patients remember the events and interactions of their daily lives. To gauge the device’s efficacy, Davis has been administered a drug that induces a temporary memory loss. As he travels through different physical environments, Davis reflects on the sacrifices and compromises he has made to pursue his art, and unwittingly creates a contemporary analog to the experiences of the Sixteenth-century astronomer. Sept 2011Kyma International Sound Symposium, Porto Portugal</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/line-morphing</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442708957164-Z4YKTX9T28M51XJJJQWX/image-asset.jpeg</image:loc>
      <image:title>Line Morphing - Morph It! Animate a Line Using Illustrator and After Effects</image:title>
      <image:caption>Quick demo on how to make one line morph into another. I entered this tutorial in the Adobe Systems contest "No App is an Island" and won the Grand Prize. Info here.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442708957164-Z4YKTX9T28M51XJJJQWX/image-asset.jpeg</image:loc>
      <image:title>Line Morphing - Morph It! Animate a Line Using Illustrator and After Effects</image:title>
      <image:caption>Quick demo on how to make one line morph into another. I entered this tutorial in the Adobe Systems contest "No App is an Island" and won the Grand Prize. Info here.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/from-the-mekong-to-montana</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442767951186-D7VF46JJGSXIZFKQBRL0/image-asset.jpeg</image:loc>
      <image:title>From the Mekong to Montana - Mekong to Montana</image:title>
      <image:caption>2011 / 27min / color / HD / USA ‘From The Mekong to Montana’ traces one effect of the Vietnam War on an American woman. Diane Steffan married her college sweetheart in 1970. More than ten years later her husband suddenly developed Post Traumatic Stress Disorder from his service during the war. Their life together crashed into the chaos of violence and alcoholism, which eventually claimed his life. Fifteen years after her husband’s death, Diane visits Vietnam to see for herself the country that changed her life. Nov 2011 KUSM Montana PBS Jan 2012 KUSM Montana PBS May 2012 KUSM Montana PBS May 2012 Park City Film Music Festival</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442767951186-D7VF46JJGSXIZFKQBRL0/image-asset.jpeg</image:loc>
      <image:title>From the Mekong to Montana - Mekong to Montana</image:title>
      <image:caption>2011 / 27min / color / HD / USA ‘From The Mekong to Montana’ traces one effect of the Vietnam War on an American woman. Diane Steffan married her college sweetheart in 1970. More than ten years later her husband suddenly developed Post Traumatic Stress Disorder from his service during the war. Their life together crashed into the chaos of violence and alcoholism, which eventually claimed his life. Fifteen years after her husband’s death, Diane visits Vietnam to see for herself the country that changed her life. Nov 2011 KUSM Montana PBS Jan 2012 KUSM Montana PBS May 2012 KUSM Montana PBS May 2012 Park City Film Music Festival</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/film</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2012-10-07</lastmod>
  </url>
  <url>
    <loc>https://www.theolipfert.com/boca-burger</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442759906456-JRYRNVBLU8RA8JSLYQ4X/image-asset.jpeg</image:loc>
      <image:title>Boca Burger - Unboxing The Boca Burger</image:title>
      <image:caption>Another in my series of videos where I unbox an item of food.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442759906456-JRYRNVBLU8RA8JSLYQ4X/image-asset.jpeg</image:loc>
      <image:title>Boca Burger - Unboxing The Boca Burger</image:title>
      <image:caption>Another in my series of videos where I unbox an item of food.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/kyma-tutorials</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442760799906-9MAO7F1S3VLUVQMZAW1N/image-asset.jpeg</image:loc>
      <image:title>Kyma Tutorials - From Kyma to Avenue Part 1</image:title>
      <image:caption>TouchOSC editor is used to create "messages" in Osculator that the Kyma will reference. When Osculator can receive messages from Kyma, it can redirect those messages to control elements within Resolume Avenue, such as the selection of a video clip.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442760799906-9MAO7F1S3VLUVQMZAW1N/image-asset.jpeg</image:loc>
      <image:title>Kyma Tutorials - From Kyma to Avenue Part 1</image:title>
      <image:caption>TouchOSC editor is used to create "messages" in Osculator that the Kyma will reference. When Osculator can receive messages from Kyma, it can redirect those messages to control elements within Resolume Avenue, such as the selection of a video clip.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442760731937-TN2O031QGQ9EOIU1JR6O/image-asset.jpeg</image:loc>
      <image:title>Kyma Tutorials - From Kyma to Avenue Part 2</image:title>
      <image:caption>Continuing the journey: Now we get Kyma to talk to OSCulator, and OSCulator to send a message to Avenue. What kind of message? I have not been having good luck with OSC messages TO Avenue, so I have used MidiCC messages, which work fine.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442760976054-IB5Y4NNFDHLS0OF38TPF/image-asset.jpeg</image:loc>
      <image:title>Kyma Tutorials - Resolume Avenue Controls Kyma Timeline</image:title>
      <image:caption>A quick demonstration of Avenue sending OSC messages to OSCulator, which re-routes the messages to Kyma. When Avenue randomly selects a video clip, the Kyma timeline will jump to a new marker location.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/natural-order</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442761074047-2U60UCMMLP4JR8POPWQ8/image-asset.jpeg</image:loc>
      <image:title>Natural Order - Natural Order</image:title>
      <image:caption>"Natural Order" is a work of live cinema that explores manifestations of supernatural or divine forces in everyday lives. Sightings of religious iconography in mundane objects such as grilled cheese sandwiches, tree bark, and a receipt from Wal-Mart are randomly overlapped with other found footage. This includes the sermons of a religious zealot who chastises viewers for their transgressions against his God, a "researcher" who helps parents prevent their children from becoming gay, and historical images of missionary work in India. From the juxtaposition of these unlikely combinations an argument emerges: that grounding a set of purportedly shared morals and values in a "natural" order is more a "supernatural" matter: an issue more of faith than of nature.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442761074047-2U60UCMMLP4JR8POPWQ8/image-asset.jpeg</image:loc>
      <image:title>Natural Order - Natural Order</image:title>
      <image:caption>"Natural Order" is a work of live cinema that explores manifestations of supernatural or divine forces in everyday lives. Sightings of religious iconography in mundane objects such as grilled cheese sandwiches, tree bark, and a receipt from Wal-Mart are randomly overlapped with other found footage. This includes the sermons of a religious zealot who chastises viewers for their transgressions against his God, a "researcher" who helps parents prevent their children from becoming gay, and historical images of missionary work in India. From the juxtaposition of these unlikely combinations an argument emerges: that grounding a set of purportedly shared morals and values in a "natural" order is more a "supernatural" matter: an issue more of faith than of nature.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/forced-into-comfort</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442761459143-Q3QNSDESRNK55X6NEEOM/image-asset.jpeg</image:loc>
      <image:title>Forced Into Comfort - Forced Into Comfort</image:title>
      <image:caption>2009 / 27:00 / Color / DV, Super16 / USA Dir: Theo Lipfert Interviews with survivors, experts, and advocates mixed with footage from wartime newsreels and propaganda films tell the story of the Korean Comfort Women who survived sexual slavery during World War II and continue to fight for an official apology from the Japanese government. Now in their 80s and 90s, the surviving “Comfort Women” recount their personal experiences and articulate their demands for compensation and acknowledgment. “Forced into ‘Comfort,’ Fighting for Apology” traces the origin of the comfort women system from the invasion of China to the end of the war. Set to a haunting score, the film portrays the anger of the surviving women and their advocates against a Japanese government waiting for the women to die. April 2009 KUSM Montana Public Television (Broadcast Premiere) April 2009 Crossroads Film Festival, Jackson MS March 2009 Cinequest Film Festival, San Jose, CA Feb 2009 Macon Film Festival, Macon, Georgia Sept 2008 Bozeman Rotary Club Sunrise meeting Aug 2008 University Film and Video Association Annual conference April 2008 Ilse-Mari Lee faculty concert March 2008 Faculty Colloquium, Department of Media &amp; Theatre Arts, MSU</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442761459143-Q3QNSDESRNK55X6NEEOM/image-asset.jpeg</image:loc>
      <image:title>Forced Into Comfort - Forced Into Comfort</image:title>
      <image:caption>2009 / 27:00 / Color / DV, Super16 / USA Dir: Theo Lipfert Interviews with survivors, experts, and advocates mixed with footage from wartime newsreels and propaganda films tell the story of the Korean Comfort Women who survived sexual slavery during World War II and continue to fight for an official apology from the Japanese government. Now in their 80s and 90s, the surviving “Comfort Women” recount their personal experiences and articulate their demands for compensation and acknowledgment. “Forced into ‘Comfort,’ Fighting for Apology” traces the origin of the comfort women system from the invasion of China to the end of the war. Set to a haunting score, the film portrays the anger of the surviving women and their advocates against a Japanese government waiting for the women to die. April 2009 KUSM Montana Public Television (Broadcast Premiere) April 2009 Crossroads Film Festival, Jackson MS March 2009 Cinequest Film Festival, San Jose, CA Feb 2009 Macon Film Festival, Macon, Georgia Sept 2008 Bozeman Rotary Club Sunrise meeting Aug 2008 University Film and Video Association Annual conference April 2008 Ilse-Mari Lee faculty concert March 2008 Faculty Colloquium, Department of Media &amp; Theatre Arts, MSU</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/solving-for-x</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442761176062-3Q1A3X2KD42MK7XMOMZ8/image-asset.jpeg</image:loc>
      <image:title>Solving for X - Solving for X: How Numbers Matter in the Fight for Human Rights</image:title>
      <image:caption>Solving for X documents the work of Dr. Patrick Ball, leader of the Benetech Human Rights Data Analysis Group. Ball and his team travel the world helping human rights supporters apply sophisticated computer analysis to human rights events. Three examples of this quantitative approach are explored in the film: in Kosovo, Guatemala, and Liberia. In each case, Ball and his team use complex tools to answer a simple question: who did what to whom? Oct 2012 Portland Humanist Film Festival (Jury Prize Winner) April 2012 Public Lecture, University of Mauritius Aug 2009 University Film Video Association National Conference, New Orleans (Rough Cut)  </image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442761176062-3Q1A3X2KD42MK7XMOMZ8/image-asset.jpeg</image:loc>
      <image:title>Solving for X - Solving for X: How Numbers Matter in the Fight for Human Rights</image:title>
      <image:caption>Solving for X documents the work of Dr. Patrick Ball, leader of the Benetech Human Rights Data Analysis Group. Ball and his team travel the world helping human rights supporters apply sophisticated computer analysis to human rights events. Three examples of this quantitative approach are explored in the film: in Kosovo, Guatemala, and Liberia. In each case, Ball and his team use complex tools to answer a simple question: who did what to whom? Oct 2012 Portland Humanist Film Festival (Jury Prize Winner) April 2012 Public Lecture, University of Mauritius Aug 2009 University Film Video Association National Conference, New Orleans (Rough Cut)  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/slow-glass-rush</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-10-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442699847182-FRALQH76XHVQDNCWF5T3/image-asset.jpeg</image:loc>
      <image:title>Slow Glass Rush - Slow Glass Rush (Performance)</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442699847182-FRALQH76XHVQDNCWF5T3/image-asset.jpeg</image:loc>
      <image:title>Slow Glass Rush - Slow Glass Rush (Performance)</image:title>
      <image:caption>Slow Glass Rush is a collaborative music film that explores life in an imagined future. In this alternate reality life is refracted through “slow glass,” a material that dramatically slows the passage of light by months or even years. With economic and ecological collapse on the horizon, the use of slow glass has become a source of conflict between those who hope to preserve memories and visions of the past and their opponents who want to face societal problems directly. This music and film piece envisions the clash as it colors the daily life of a young couple who seek beauty while struggling with basic survival. Aug 2015 Kyma International Sound Symposium Bozeman (Live Performance)    </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/audio</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442771097643-46C4QHCU1EC9DE51T71U/image-asset.jpeg</image:loc>
      <image:title>Audio - Camera Mic vs. Shotgun</image:title>
      <image:caption>Quick demo where I fade the audio between an on-board camera mic and a shotgun recording into a Zoom H4N.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442771097643-46C4QHCU1EC9DE51T71U/image-asset.jpeg</image:loc>
      <image:title>Audio - Camera Mic vs. Shotgun</image:title>
      <image:caption>Quick demo where I fade the audio between an on-board camera mic and a shotgun recording into a Zoom H4N.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442771795456-6M8C6TQ3JA2QI52YXLFF/image-asset.jpeg</image:loc>
      <image:title>Audio - Noise Reduction</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/thomas-manns-a-vision</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442698556866-LT1DG1M72YBPBD2YBRBJ/image-asset.jpeg</image:loc>
      <image:title>Thomas Mann's A Vision - Thomas Mann's A Vision</image:title>
      <image:caption>"A Vision" was Thomas Mann's first published work. In this short piece themes and strategies that will emerge in Mann's later work are evident: the analytical description of “feeling states,” the scientific approach to documenting the irrational, and the objective, yet literary depiction of distorted perception. In my film version of Mann's work I have tried to honor the visual quality of Mann's writing. Though my film is set in the 1920s, the emotional truths he describes -- of remembering love, and dealing with loss -- resonate today.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442698556866-LT1DG1M72YBPBD2YBRBJ/image-asset.jpeg</image:loc>
      <image:title>Thomas Mann's A Vision - Thomas Mann's A Vision</image:title>
      <image:caption>"A Vision" was Thomas Mann's first published work. In this short piece themes and strategies that will emerge in Mann's later work are evident: the analytical description of “feeling states,” the scientific approach to documenting the irrational, and the objective, yet literary depiction of distorted perception. In my film version of Mann's work I have tried to honor the visual quality of Mann's writing. Though my film is set in the 1920s, the emotional truths he describes -- of remembering love, and dealing with loss -- resonate today.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/mallards-rest</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442698408626-QURN6USBXCOH1IEXP27B/image-asset.jpeg</image:loc>
      <image:title>Mallard's Rest - Mallard's Rest</image:title>
      <image:caption>Mallard's Rest is a short poetic film with multi-channel sound that uses Magritte's juxtaposition of everyday objects and unfamiliar places to explore the differences between what we hear, what we see, and what we know. The piece can be performed live as a work of "Live Cinema."  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442698408626-QURN6USBXCOH1IEXP27B/image-asset.jpeg</image:loc>
      <image:title>Mallard's Rest - Mallard's Rest</image:title>
      <image:caption>Mallard's Rest is a short poetic film with multi-channel sound that uses Magritte's juxtaposition of everyday objects and unfamiliar places to explore the differences between what we hear, what we see, and what we know. The piece can be performed live as a work of "Live Cinema."  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/invasion-of-the-giant-tortoises</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442708510067-PCEZA6MZRH5Q42P2EOJH/image-asset.jpeg</image:loc>
      <image:title>Invasion of the Giant Tortoises - Invasion of the Giant Tortoises</image:title>
      <image:caption>“Invasion of the Giant Tortoises” explores the controversial introduction of a non-native species to the African island of Mauritius. Once home to the dodo, Mauritius was teeming with giant tortoises until the arrival of man. The introduction of predators and habitat loss doomed these majestic creatures to extinction. Now biologists have embarked on a radical plan: to replace the extinct Mauritian tortoise with a close relative: the giant tortoise from Aldabra, a deserted atoll near the Seychelles. How will the island's eco-system respond? And how do the results of this experiment change how we thing about biodiversity?  </image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442708510067-PCEZA6MZRH5Q42P2EOJH/image-asset.jpeg</image:loc>
      <image:title>Invasion of the Giant Tortoises - Invasion of the Giant Tortoises</image:title>
      <image:caption>“Invasion of the Giant Tortoises” explores the controversial introduction of a non-native species to the African island of Mauritius. Once home to the dodo, Mauritius was teeming with giant tortoises until the arrival of man. The introduction of predators and habitat loss doomed these majestic creatures to extinction. Now biologists have embarked on a radical plan: to replace the extinct Mauritian tortoise with a close relative: the giant tortoise from Aldabra, a deserted atoll near the Seychelles. How will the island's eco-system respond? And how do the results of this experiment change how we thing about biodiversity?  </image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/certain-green</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442772333825-S4MSRFTBCLX5X1Z84OYC/image-asset.jpeg</image:loc>
      <image:title>Certain Green - Certain Green</image:title>
      <image:caption>2007 / 9:00 / Color / Super16 / USA A romantic ‘feel good’ experimental short, ‘Certain Green’ tells the story of an older woman’s lifelong quest for the perfect color green. On the advice of a psychic, our heroine searches from Florida to the Rocky Mountains, and along the way, learns that sometimes a certain green is found where you least expect it. Notes on the film I was reading a few anthologies of micro-fiction and non-fiction when I came across “Rhapsody in Green” by Marjorie Sandor. I loved this story because it was all about color, and how our lives are a search for something perfect that may not exist. I started bringing my Super16 camera to Captiva, Florida during spring break. I started shooting everything I could find that looked like it should be green, but was not. Shadows of leaves on the ground, plants at sunrise and sunset that have turned inky black. One Spring we were on Captiva just after a hurricane had trashed the island. The shot of the garbage truck driving past the small restaurant (actually a little store) was shot that Spring. (The store was closed in order to repair all the hurricane damage). The shots of Johanna in front of the bulletin board are actually composites — I shot the store in Florida and Johanna in a studio at Montana State University in front of a blue screen. April 2008 President’s Fine Arts Series, Montana State University April 2008 Santa Cruz International Film Festival, CA April 2008 Da Vinci Days Film Festival, Corvallis, OR March 2008 SXSW (South by Southwest film festival) Austin, TX Feb. 2008 Dam Short Film Festival, Boulder City, Nevada Jan. 2008 Park City Film Music Festival, Park City, UT (Winner, Gold Medal, for Score, Short Film; Director’s Choice Award)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442772333825-S4MSRFTBCLX5X1Z84OYC/image-asset.jpeg</image:loc>
      <image:title>Certain Green - Certain Green</image:title>
      <image:caption>2007 / 9:00 / Color / Super16 / USA A romantic ‘feel good’ experimental short, ‘Certain Green’ tells the story of an older woman’s lifelong quest for the perfect color green. On the advice of a psychic, our heroine searches from Florida to the Rocky Mountains, and along the way, learns that sometimes a certain green is found where you least expect it. Notes on the film I was reading a few anthologies of micro-fiction and non-fiction when I came across “Rhapsody in Green” by Marjorie Sandor. I loved this story because it was all about color, and how our lives are a search for something perfect that may not exist. I started bringing my Super16 camera to Captiva, Florida during spring break. I started shooting everything I could find that looked like it should be green, but was not. Shadows of leaves on the ground, plants at sunrise and sunset that have turned inky black. One Spring we were on Captiva just after a hurricane had trashed the island. The shot of the garbage truck driving past the small restaurant (actually a little store) was shot that Spring. (The store was closed in order to repair all the hurricane damage). The shots of Johanna in front of the bulletin board are actually composites — I shot the store in Florida and Johanna in a studio at Montana State University in front of a blue screen. April 2008 President’s Fine Arts Series, Montana State University April 2008 Santa Cruz International Film Festival, CA April 2008 Da Vinci Days Film Festival, Corvallis, OR March 2008 SXSW (South by Southwest film festival) Austin, TX Feb. 2008 Dam Short Film Festival, Boulder City, Nevada Jan. 2008 Park City Film Music Festival, Park City, UT (Winner, Gold Medal, for Score, Short Film; Director’s Choice Award)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/masada-remixed</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442761358967-LT7JBDM94X4M6J33EE5F/image-asset.jpeg</image:loc>
      <image:title>Masada Remixed - Masada Remixed</image:title>
      <image:caption>2008 / 6:30 / Color / Super16, HD Masada Remixed combines music, movement, fact and fiction to explore the emotional state of a population under siege. Based on the foundational story of Jewish zealots who held the Roman army at bay, Masada Remixed tells a contemporary tale of isolation, resistance, and suicide. Filmed in collaboration with Palestinian students in Montana and the Middle East. April 2010 Kansas City Filmmakers’ Jubilee Jan 2010 Victoria Film Festival, BC Nov 2009 Filmstock 11, Luton, UK</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442761358967-LT7JBDM94X4M6J33EE5F/image-asset.jpeg</image:loc>
      <image:title>Masada Remixed - Masada Remixed</image:title>
      <image:caption>2008 / 6:30 / Color / Super16, HD Masada Remixed combines music, movement, fact and fiction to explore the emotional state of a population under siege. Based on the foundational story of Jewish zealots who held the Roman army at bay, Masada Remixed tells a contemporary tale of isolation, resistance, and suicide. Filmed in collaboration with Palestinian students in Montana and the Middle East. April 2010 Kansas City Filmmakers’ Jubilee Jan 2010 Victoria Film Festival, BC Nov 2009 Filmstock 11, Luton, UK</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/the-displacement-map</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442772250837-V7X2ZBBXZ9M0FT1EK4XE/image-asset.jpeg</image:loc>
      <image:title>The Displacement Map - The Displacement Map</image:title>
      <image:caption>2003 / 19:00 / Color &amp; B/W / DV, Archival Film Footage Directed by Theo Lipfert; Music by Stefan Hakenberg The Displacement Map is an experimental documentary in which an Ohio shopkeeper’s daily activities trigger memories of a little-known historical event: the forced relocation during World War II of Aleut-Americans from the Aleutian and Pribiloff islands to camps thousands of miles away. This event is a metaphor for how we come to understand events which happen to people far away in time or place. Using contemporary and archival materials, the film suggests that it is through relating historical events to our daily lives that we can begin to comprehend them. The Displacement Map uses music and visual clues rather than words to tell an almost universal story of war, displacement, and relocation. May, 2004 Filmstock, Luton, UK May, 2004 Forest Film Festival, Portland, OR April, 2004 Pusan Asian Shorts Festival, Pusan, Korea March, 2004 Myhelan Indie Film Festival, Chester, NJ October 2003 Cinema Paradise, Honolulu, HI (Jury Award: Best Experimental Film, Audience Award: Best Experimental Film) Sept. 2003 Temecula Film and Music Festival, CA May 2003 Tribeca Film Festival, New York, NY April 2003 Kansas City Filmmakers Jubilee (Jury award: 2nd Place, Documentary Short) Aug. 2002 CrossSound 2002 , Juneau, AK (Live Performance) Aug. 2002 CrossSound 2002, Ketchikan, AK (Live Performance) Aug. 2002 CrossSound 2002, Sitka, AK (Live Performance) May 2003 Second Saturday Series, Chicago, IL (Live Performance) Jan 2004 Berlin Academy of Art: “America in Berlin 2004” Germany (Live Performance)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442772250837-V7X2ZBBXZ9M0FT1EK4XE/image-asset.jpeg</image:loc>
      <image:title>The Displacement Map - The Displacement Map</image:title>
      <image:caption>2003 / 19:00 / Color &amp; B/W / DV, Archival Film Footage Directed by Theo Lipfert; Music by Stefan Hakenberg The Displacement Map is an experimental documentary in which an Ohio shopkeeper’s daily activities trigger memories of a little-known historical event: the forced relocation during World War II of Aleut-Americans from the Aleutian and Pribiloff islands to camps thousands of miles away. This event is a metaphor for how we come to understand events which happen to people far away in time or place. Using contemporary and archival materials, the film suggests that it is through relating historical events to our daily lives that we can begin to comprehend them. The Displacement Map uses music and visual clues rather than words to tell an almost universal story of war, displacement, and relocation. May, 2004 Filmstock, Luton, UK May, 2004 Forest Film Festival, Portland, OR April, 2004 Pusan Asian Shorts Festival, Pusan, Korea March, 2004 Myhelan Indie Film Festival, Chester, NJ October 2003 Cinema Paradise, Honolulu, HI (Jury Award: Best Experimental Film, Audience Award: Best Experimental Film) Sept. 2003 Temecula Film and Music Festival, CA May 2003 Tribeca Film Festival, New York, NY April 2003 Kansas City Filmmakers Jubilee (Jury award: 2nd Place, Documentary Short) Aug. 2002 CrossSound 2002 , Juneau, AK (Live Performance) Aug. 2002 CrossSound 2002, Ketchikan, AK (Live Performance) Aug. 2002 CrossSound 2002, Sitka, AK (Live Performance) May 2003 Second Saturday Series, Chicago, IL (Live Performance) Jan 2004 Berlin Academy of Art: “America in Berlin 2004” Germany (Live Performance)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/new-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442772005388-EE1CLP92AFZPIHIXXLPM/image-asset.jpeg</image:loc>
      <image:title>Storage - How To Build an External Drive</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442772005388-EE1CLP92AFZPIHIXXLPM/image-asset.jpeg</image:loc>
      <image:title>Storage - How To Build an External Drive</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/cinemadng-lightroom</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442760146331-2UXJB16XES3ZWJ4NV533/image-asset.jpeg</image:loc>
      <image:title>Cinema DNG Tutorials - Cinema DNG: Using Lightroom and After Effects</image:title>
      <image:caption>Quick demo on using Adobe Lightroom as the primary Raw importer for Cinema DNG files.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442760146331-2UXJB16XES3ZWJ4NV533/image-asset.jpeg</image:loc>
      <image:title>Cinema DNG Tutorials - Cinema DNG: Using Lightroom and After Effects</image:title>
      <image:caption>Quick demo on using Adobe Lightroom as the primary Raw importer for Cinema DNG files.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442760281068-2S6P73B65RINA3IYULXG/image-asset.jpeg</image:loc>
      <image:title>Cinema DNG Tutorials - CinemaDNG Round Tripping</image:title>
      <image:caption>A method of linking lo-res proxy files that are easy to edit back to Raw Cinema DNG originals. This process uses Adobe After Effects and Premiere CS6. The trick is using the "link proxy file" function backwards. Rather than link a lo-res proxy, we link back to the CinemaDNG originals.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442768178058-FJVPD4E483UDJ5GQIQ7B/image-asset.jpeg</image:loc>
      <image:title>Cinema DNG Tutorials - Ikonoskop Cinema DNG Workflow</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/taubman-sucks</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2015-09-20</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442772124302-2J3AJQ5AL3C1SWERJMKJ/image-asset.jpeg</image:loc>
      <image:title>Taubman Sucks - Taubman Sucks</image:title>
      <image:caption>2004 / 6:40 / Color / DV / USA Dir: Theo Lipfert; Music by Stefan Hakenberg Taubman Sucks is the story of Hank Mishkoff, a web designer from Plano Texas, who created a website celebrating the construction of a new mall in his neighborhood. One day he received a letter from a lawfirm representing the mall’s owner, claiming that he was violating their client’s trademark. When they filed a lawsuit against him, Hank registered a series of internet domain names ending with “sucks.com.” He used these sites to document the case, and the treatment he was receiving. Hank fought the lawsuits all the way to the Appeals Court. After several setbacks, he was ultimately victorious. His case is now the precedent establishing rights for people who use the web to protest, complain, or gripe. This richly visual documentary tells Hank’s “David vs. Goliath” story using an entertaining and humorous style. This is a story where the little guy finally does come out on top! Nov. 2006 Cucalorus 12, Wilmington, DE May 2006 Cinema Slam, Ann Arbor, MI Nov. 2005 Northwest Museum of Arts &amp; Culture, Spokane, WA Nov. 2005 Missoula Art Museum, MT Oct. 2005 Austin Film Festival, TX Oct, 2005 Mill Valley Film Festival, CA Oct. 2005 Best of the Best Film Festival, Eugene, OR Sept. 2005 Washington State University, Pullman, WA Sept. 2005 DC Shorts Fest, Washington, D.C. July 2005 Bear Tooth Theater, Anchorage, AK July 2005 Portland Art Museum, OR June 2005 Butte Silver Bow Arts Foundation, Butte, MT May 2005 Filmstock, Luton, UK May 2005 Eastern Washington University, Cheney, WA May 2005 University of Oregon, Eugene, OR May 2005 Portland Community College, OR April 2005 Nashville Film Festival, TN April 2005 PDX Film Festival, Portland, OR April 2005 Blue Mountain Community College, Pendleton, OR April 2005 Oregon Institute of Technology, Klamath Falls, OR April 2005 Lewis and Clark College, Portland, OR April 2005 Pacific University, Forest Grove, OR April 2005 Idaho State University, ID April 2005 Detroit Film Center, MI March 2005 Ann Arbor Film Fest, MI March 2005 Cinequest, San Jose, CA March 2005 NOVAC, New Orleans, LA Feb. 2005 Big Muddy Film Festival, Carbondale, IL Feb. 2005 Dam Short Film Festival, Boulder City, NV Dec. 2004 DV Film Fest (Los Angeles) Nov. 2004 Northwest Film and Video Festival, Portland, OR (Audience choice award) Sept. 2004 Bumbershoot One Reel Film Fest, Seattle, WA Sept. 2006 WEDU, Tampa, FL (broadcast) July 2005 WSIU, Carbondale, IL (broadcast) May 2005 KCTS, Seattle, WA (broadcast) Nov. 2004 KCTS, Seattle, WA (broadcast)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1442772124302-2J3AJQ5AL3C1SWERJMKJ/image-asset.jpeg</image:loc>
      <image:title>Taubman Sucks - Taubman Sucks</image:title>
      <image:caption>2004 / 6:40 / Color / DV / USA Dir: Theo Lipfert; Music by Stefan Hakenberg Taubman Sucks is the story of Hank Mishkoff, a web designer from Plano Texas, who created a website celebrating the construction of a new mall in his neighborhood. One day he received a letter from a lawfirm representing the mall’s owner, claiming that he was violating their client’s trademark. When they filed a lawsuit against him, Hank registered a series of internet domain names ending with “sucks.com.” He used these sites to document the case, and the treatment he was receiving. Hank fought the lawsuits all the way to the Appeals Court. After several setbacks, he was ultimately victorious. His case is now the precedent establishing rights for people who use the web to protest, complain, or gripe. This richly visual documentary tells Hank’s “David vs. Goliath” story using an entertaining and humorous style. This is a story where the little guy finally does come out on top! Nov. 2006 Cucalorus 12, Wilmington, DE May 2006 Cinema Slam, Ann Arbor, MI Nov. 2005 Northwest Museum of Arts &amp; Culture, Spokane, WA Nov. 2005 Missoula Art Museum, MT Oct. 2005 Austin Film Festival, TX Oct, 2005 Mill Valley Film Festival, CA Oct. 2005 Best of the Best Film Festival, Eugene, OR Sept. 2005 Washington State University, Pullman, WA Sept. 2005 DC Shorts Fest, Washington, D.C. July 2005 Bear Tooth Theater, Anchorage, AK July 2005 Portland Art Museum, OR June 2005 Butte Silver Bow Arts Foundation, Butte, MT May 2005 Filmstock, Luton, UK May 2005 Eastern Washington University, Cheney, WA May 2005 University of Oregon, Eugene, OR May 2005 Portland Community College, OR April 2005 Nashville Film Festival, TN April 2005 PDX Film Festival, Portland, OR April 2005 Blue Mountain Community College, Pendleton, OR April 2005 Oregon Institute of Technology, Klamath Falls, OR April 2005 Lewis and Clark College, Portland, OR April 2005 Pacific University, Forest Grove, OR April 2005 Idaho State University, ID April 2005 Detroit Film Center, MI March 2005 Ann Arbor Film Fest, MI March 2005 Cinequest, San Jose, CA March 2005 NOVAC, New Orleans, LA Feb. 2005 Big Muddy Film Festival, Carbondale, IL Feb. 2005 Dam Short Film Festival, Boulder City, NV Dec. 2004 DV Film Fest (Los Angeles) Nov. 2004 Northwest Film and Video Festival, Portland, OR (Audience choice award) Sept. 2004 Bumbershoot One Reel Film Fest, Seattle, WA Sept. 2006 WEDU, Tampa, FL (broadcast) July 2005 WSIU, Carbondale, IL (broadcast) May 2005 KCTS, Seattle, WA (broadcast) Nov. 2004 KCTS, Seattle, WA (broadcast)</image:caption>
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    <lastmod>2017-10-23</lastmod>
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      <image:title>Einstein's Gravity Playlist - Einstein's Gravity Playlist</image:title>
      <image:caption>Einstein’s Gravity Playlist explores the ripples in space-time known as gravitational waves. Albert Einstein predicted the existence of gravitational waves in 1916. A century later, scientists detected these waves using precise laser devices here on Earth. Join Lucia, a PhD student in physics, on an exploration of how gravitational waves are formed, how they move through the universe, and how scientists like her work to hear them. This is a flat version of the fulldome show available for planetariums. To request the fulldome version for screening at your planetarium email theo.lipfert@gmail.com . This show in its fulldome version is offered free of charge.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Einstein's Gravity Playlist - Einstein's Gravity Playlist</image:title>
      <image:caption>Einstein’s Gravity Playlist explores the ripples in space-time known as gravitational waves. Albert Einstein predicted the existence of gravitational waves in 1916. A century later, scientists detected these waves using precise laser devices here on Earth. Join Lucia, a PhD student in physics, on an exploration of how gravitational waves are formed, how they move through the universe, and how scientists like her work to hear them. This is a flat version of the fulldome show available for planetariums. To request the fulldome version for screening at your planetarium email theo.lipfert@gmail.com . This show in its fulldome version is offered free of charge.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/55fcb353e4b0f97d3955b147/59ed4dd890bade839e60746c/59ed4e308e62d67cc26ce793/1508724219023/</image:loc>
      <image:title>Einstein's Gravity Playlist</image:title>
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    <lastmod>2017-10-24</lastmod>
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  <url>
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      <image:title>How to Cook Steak in Montana - How to cook steak in Montana</image:title>
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      <image:title>How to Cook Steak in Montana - How to cook steak in Montana</image:title>
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    <loc>https://www.theolipfert.com/teleprompter</loc>
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    <lastmod>2017-10-23</lastmod>
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      <image:title>TelePrompTer - Teleprompter Test (Jesse As Lincoln)</image:title>
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      <image:title>TelePrompTer</image:title>
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    <loc>https://www.theolipfert.com/iphone-to-dcp</loc>
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    <lastmod>2017-10-24</lastmod>
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      <image:title>iPhone to DCP</image:title>
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      <image:title>iPhone to DCP - iPhone to DCP</image:title>
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    <lastmod>2017-10-24</lastmod>
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      <image:title>Location Lighting Fun</image:title>
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      <image:title>Gallery Page</image:title>
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    <image:image>
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      <image:title>Gallery Page</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582821709437-998K9AQ9D6H2CX0Z0CA4/IMG_0948.JPG</image:loc>
      <image:title>Gallery Page</image:title>
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    <image:image>
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      <image:title>Gallery Page</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582821773074-UDMNHITBOBIEZG9MKYI0/image1.jpeg</image:loc>
      <image:title>Gallery Page</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582866186748-48R5WS4IHAEL45BRNHXM/IMG_0208.jpeg</image:loc>
      <image:title>Gallery Page</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582866317378-OGHSZ7K0HSJXJ41X72VD/IMG_0196.jpeg</image:loc>
      <image:title>Gallery Page</image:title>
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    <loc>https://www.theolipfert.com/album-page</loc>
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    <lastmod>2020-02-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582822646742-QQB65NJ3FNJG1GNAAGIV/Rusty+Linked+Comp+01_00177.png</image:loc>
      <image:title>Rusty's Greatest Hits</image:title>
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  <url>
    <loc>https://www.theolipfert.com/ppmid</loc>
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    <lastmod>2020-03-23</lastmod>
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  <url>
    <loc>https://www.theolipfert.com/dcp1</loc>
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    <lastmod>2020-03-23</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1584993537332-UQ3T8GYQUH9NA0MGKHTD/image-asset.png</image:loc>
      <image:title>How to Make a DCP</image:title>
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    <image:image>
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      <image:title>How to Make a DCP</image:title>
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  <url>
    <loc>https://www.theolipfert.com/writing</loc>
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    <priority>1.0</priority>
    <lastmod>2025-07-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1753132008897-DH7I99D9FEZ9G6ZXHCZX/Elmo.png</image:loc>
      <image:title>Writing - Times Square Elmo Loves You</image:title>
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      <image:title>Writing - Times Square Elmo Loves You</image:title>
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  <url>
    <loc>https://www.theolipfert.com/film-theo</loc>
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    <lastmod>2025-07-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1753131492255-RY4R7ZQFUPSKTWASU9YA/image-asset.jpeg</image:loc>
      <image:title>Film - Certain Green</image:title>
      <image:caption>A “feel-good” experimental film about a woman’s search for the perfect color green.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1753131492255-RY4R7ZQFUPSKTWASU9YA/image-asset.jpeg</image:loc>
      <image:title>Film - Certain Green</image:title>
      <image:caption>A “feel-good” experimental film about a woman’s search for the perfect color green.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1753131586707-GXMW4JEMUFFGRQ1NUNTU/image-asset.jpeg</image:loc>
      <image:title>Film - Certain Green</image:title>
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      <image:title>Film</image:title>
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  <url>
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    <lastmod>2016-03-07</lastmod>
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      <image:title>Blog - Interest</image:title>
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    <loc>https://www.theolipfert.com/blog-wells/2016/3/4/heritage-95yex</loc>
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  <url>
    <loc>https://www.theolipfert.com/blog-wells/2016/3/7/gratitude-j93sr</loc>
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      <image:title>Blog - Gratitude</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56d9b7181d07c0cd16df5f11/1457370099081-X60SP2T1ZK52SMKCG5PF/blog-82.65.80_PS2.jpg</image:loc>
      <image:title>Blog - Gratitude</image:title>
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  <url>
    <loc>https://www.theolipfert.com/blog-wells/2016/3/4/passant-z2yn5</loc>
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    <lastmod>2016-03-07</lastmod>
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  <url>
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    <lastmod>2016-03-07</lastmod>
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    <lastmod>2015-09-19</lastmod>
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  <url>
    <loc>https://www.theolipfert.com/about</loc>
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    <lastmod>2020-02-27</lastmod>
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  <url>
    <loc>https://www.theolipfert.com/welcome</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2015-05-01</lastmod>
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  <url>
    <loc>https://www.theolipfert.com/lottie</loc>
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    <lastmod>2020-02-28</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1579393739120-17CO70ZRDCMC15LDZAYL/maarten-van-den-heuvel-400626-unsplash.jpg</image:loc>
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  <url>
    <loc>https://www.theolipfert.com/lottie-2</loc>
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    <lastmod>2020-01-27</lastmod>
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      <image:title>Lottie 2</image:title>
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    <image:image>
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      <image:title>Lottie 2</image:title>
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  <url>
    <loc>https://www.theolipfert.com/ae-to-instagram-gifs</loc>
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    <lastmod>2020-02-27</lastmod>
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      <image:title>AE to Instagram GIFS</image:title>
      <image:caption>Step One: Edit your video with Adobe Rush on your phone.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582035264437-3I3G369FW9GENKP3QJ0M/GIFDemo1.gif</image:loc>
      <image:title>AE to Instagram GIFS</image:title>
      <image:caption>Step Two: Open Rush project from the Home Screen of Premiere.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582035402236-DB8YJRZR0K0G4VEOQZE8/SendToAE.gif</image:loc>
      <image:title>AE to Instagram GIFS</image:title>
      <image:caption>Step Three: To send footage from Premiere to After Effects just right click on a clip, or group of clips, and select “Replace with After Effects Composition” from the menu.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582035593867-LY1DYKLNT5YCU4X2XMEW/SaveAEP.gif</image:loc>
      <image:title>AE to Instagram GIFS</image:title>
      <image:caption>Step Four: Save your AE project.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582035729798-TPC98L5UQVUW4IQ4GTFF/CompSettings.gif</image:loc>
      <image:title>AE to Instagram GIFS</image:title>
      <image:caption>Step Five: Change the composition settings to 600 px square, and change the frame rate to 15 fps.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582213578074-USDGU5T15BKGCPT0EFXM/ScalePosition.gif</image:loc>
      <image:title>AE to Instagram GIFS</image:title>
      <image:caption>Step Six: Adjust the position of your video to fit the square aspect ratio. Zoom out to see more of the composition.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582214112131-A22BSY3YUFHEDG3ADCKS/AdjustmentLayer.gif</image:loc>
      <image:title>AE to Instagram GIFS</image:title>
      <image:caption>Step Seven: Use After Effects to manipulate your video. Add adjustment layers with effects applied.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582214640653-DGST26KI7TC1CPE0PGMR/Levels.gif</image:loc>
      <image:title>AE to Instagram GIFS</image:title>
      <image:caption>Use masks applied to the adjustment layers to control where the Effects are applied.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582214898195-Q6M1WTV2A9VQ36I7Y2WL/Render.gif</image:loc>
      <image:title>AE to Instagram GIFS</image:title>
      <image:caption>Use File &gt; Export &gt; Add to Render Queue and select export to PNG frames.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582215138389-6OTRDU2OOWEBU1RSMFRP/PS-Open.gif</image:loc>
      <image:title>AE to Instagram GIFS</image:title>
      <image:caption>Step Nine: Open the PNG image sequence in Photoshop. Select one image from the folder only, and check the “Image Sequence” box.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582215341067-6SR5XMW0P70LBOGULFVO/PS-Export.gif</image:loc>
      <image:title>AE to Instagram GIFS</image:title>
      <image:caption>Step Ten: Play around the with color settings to find the one that works best for your video. Don’t use “dithering.”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582215526926-6IMB1DUD2MJFGD5KO4VB/Test.gif</image:loc>
      <image:title>AE to Instagram GIFS</image:title>
      <image:caption>Open the final GIF in a browser to test.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582221893088-OHWE9AW7FOPDWYAM0WL7/Giphy1.gif</image:loc>
      <image:title>AE to Instagram GIFS</image:title>
      <image:caption>Launch GIPHY, select “Create” and then “Camera Roll.” Select the GIF from your camera roll.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582222040440-RRM9VBQ8Q2W005SDIP2D/Giphy2.gif</image:loc>
      <image:title>AE to Instagram GIFS</image:title>
      <image:caption>Once your GIF is playing within GIPHY, select Next, Share, Instagram, and then choose whether your GIF will show as a Story or a Post.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/start-with-blank-page</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582823840588-SBSX2KV41CR0GM9NCXE2/noun_Camera_1990204.png</image:loc>
      <image:title>Start with Blank Page</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582824328368-GIBICMPMGAX9M7XQIZ9J/IMG_8230.jpeg</image:loc>
      <image:title>Start with Blank Page</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582824362323-UKQRPIPXIACYB6GAZOXH/IMG_7127.JPG</image:loc>
      <image:title>Start with Blank Page</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582824385845-ADYR958VNH14D2CTFOA9/Charley+insta+1.JPG</image:loc>
      <image:title>Start with Blank Page</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/our-class-page</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-02-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582924503281-88JDN4JNWU8M35BMLSWL/Lighting.jpg</image:loc>
      <image:title>Our Class Page</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582924271297-H5Z9XKIMMMRE3NH7HRZB/Sassy-Gels.jpg</image:loc>
      <image:title>Our Class Page</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1582924376612-WY9AH7TA48EHKZMI38G8/IMG_7127.JPG</image:loc>
      <image:title>Our Class Page</image:title>
      <image:caption>Caption goes here!</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/illustrator</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-03-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1584994408192-ZAYT6QQQVIGUI74VT4VF/Screen_Shot_2018_04_03_at_11.55.04_AM.jpeg</image:loc>
      <image:title>Illustrator</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1584993945559-8DHE3WGKTRU7L2X8K44O/Screen_Shot_2018_04_03_at_11.55.04_AM.jpeg</image:loc>
      <image:title>Illustrator</image:title>
      <image:caption>Download this image to practice the pen tool in Illustrator.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/transit</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-04-07</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1586282430219-5L60FSN64WYN03J8N969/DesignStandards.jpg</image:loc>
      <image:title>Transit Typography</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1586281084654-8LIOKW1J3EHGZVVP9HJY/7train3.png</image:loc>
      <image:title>Transit Typography</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1586284087852-AKSJZ8AN1CJRTGTZ7DOP/7train2.png</image:loc>
      <image:title>Transit Typography</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1586282561689-LJ2HPM0AUITOKZ0SZRY0/1942ElPoster.png</image:loc>
      <image:title>Transit Typography - 1942 Poster</image:title>
      <image:caption>“…pursuant to the law authorizing the demolition and removal of the railroad structure…”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1586283201579-SGJJKF2TUJS1IW017TCD/Weekend_Notice_Platform.jpg</image:loc>
      <image:title>Transit Typography</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1586284288107-DU44XNU5KLB8UNU4SBBJ/Irt59th.png</image:loc>
      <image:title>Transit Typography</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1586284331702-CC36ZNK8CM9TLVT115EY/Irt59thToday.png</image:loc>
      <image:title>Transit Typography</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1586288940669-OAQEEEA1UIF7G3AV7NKE/Signage.png</image:loc>
      <image:title>Transit Typography</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1586288993996-EUF1KWYNS7Z4FSFOIB68/TerraCotta.png</image:loc>
      <image:title>Transit Typography</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1586292737245-WTESQCJOGZ2P37R0Q60Y/Map1.png</image:loc>
      <image:title>Transit Typography</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1586292777309-HP6M9LBXDQ97WKT3DUI1/Map2.png</image:loc>
      <image:title>Transit Typography</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1586292841543-V9730A2PP3FNE5W485ZE/Map3.png</image:loc>
      <image:title>Transit Typography</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1586292882804-SU7U2CS5T1WGD2CIXDLT/Map4.png</image:loc>
      <image:title>Transit Typography</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1586292940994-PN8J6U157DZ658KYQL0M/Map5.png</image:loc>
      <image:title>Transit Typography</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1586292991541-86NRK1KAJ8OL72V8OK6O/Map6.png</image:loc>
      <image:title>Transit Typography</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1586293116820-75RWR76OEWC1I6E4XRS0/Map8.png</image:loc>
      <image:title>Transit Typography</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1586293054888-LVJ4YZS7AN45BALE3C31/Map7.png</image:loc>
      <image:title>Transit Typography</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1586293170404-VATS9A9FETDWJ4NTTG62/Map9.png</image:loc>
      <image:title>Transit Typography</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1586293212578-RIMWM2KZRX7JNIWYANZO/Map10.png</image:loc>
      <image:title>Transit Typography</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/typeformtest</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-04-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1586447778900-SH95NA23O1GXWBRP62VS/noun_Money_3154305.png</image:loc>
      <image:title>TypeformTest</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/resolve</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-04-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/55fcb353e4b0f97d3955b147/1586898896994-X1S5IX7P35B2WGPSE78D/noun_color+correction_2052587.png</image:loc>
      <image:title>Resolve</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/sarahcooper</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2020-06-06</lastmod>
  </url>
  <url>
    <loc>https://www.theolipfert.com/read-me-montauk</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-05-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5052176b84aeb45fa5cfcc83/1377096507573-1MU42OOOOGIM9URAJ9D9/515c4225e4b0afec1218b21e.png</image:loc>
      <image:title>Read Me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5052176b84aeb45fa5cfcc83/1377096775448-0L7B4Q54H1VLOGFF1DPR/synthetica+%2820130821%29.jpg</image:loc>
      <image:title>Read Me</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5052176b84aeb45fa5cfcc83/1377097104716-HDI53XJVV0DKZ24A3T68/51e453dee4b06abd3403c22e.png</image:loc>
      <image:title>Read Me</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/elmo</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-07-21</lastmod>
  </url>
  <url>
    <loc>https://www.theolipfert.com/contact-wells</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-02</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/56d9b7181d07c0cd16df5f11/1457378862003-QC8PO9E2LYVHW06IWNC5/image-asset.jpeg</image:loc>
      <image:title>Contact</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.theolipfert.com/read-me-wells</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2026-03-02</lastmod>
  </url>
</urlset>

